In his book A Grace
Disguised (Zondervan 2005), Jerry Sittser uses two metaphors for God on
pages 156-157: God as a puppeteer and God as a novelist. The puppeteer is an
all-powerful God who predetermines our every move. We are passive victims of
God’s whims; we have little freedom to choose. On the other hand, God as
novelist is in overall control of the writing of the book, but as the story line
develops, the characters change as their characters develop. Rather than being
manipulated and controlled, they have a freedom to choose their own destinies.
In thinking about these two metaphors for God, I came up
with a list to describe each one and their contrasting characteristics.
God as puppeteer
• God
of much of Christianity, especially fundamentalism
• All-powerful
God
• God
of justice (fairness-we get what we deserve)
• God
of sending Hebrews into exile
• Story
of Job
• Causes
fatalism (I’m stuck)
• God
of creeds and “isms”
God as novelist
• God
of Nouwen, Sittser, many other writers on spirituality
• All-loving
God
• God
of grace (mercy)
• Story
of Prodigal Son
• God
of allowing Hebrews a king
• Causes
hope (I can change)
• God
of mystery
My first claim is that the puppeteer metaphor is the one
that most of us grow up with in our black-and-white Sunday school faith. Many
stay stuck with this image of God. This stuck-ness results in rigid belief
systems that produce fundamentalism. Most writers on Christian spirituality show
us how to grow and mature in our faith by moving us more toward the novelist
metaphor.
The puppeteer God is all-powerful while the novelist God is
all-loving. I have written about this difference in a previous blog post: "God: Almighty or All-loving?"
The puppeteer God is a God of justice and righteousness.
This God judges us for our faults; dishes out what we deserve—if we are good we
get a reward, if we are bad, we get punishment (Deut. 28). This God is the God who sent the Hebrews into
exile for their disobedience. In contrast, the novelist God is a God of mercy.
The best example of this is the story of the Prodigal Son (Luke 15:32). This
God loves and forgives no matter how egregious the straying and the sin.
The best biblical story that portrays God as a puppeteer is
the story of Job. Job is seemingly at the mercy of the forces of good and evil,
and Job is a mere marionette on a string being manipulated by God. The best
biblical story to illustrate the God as novelist is the story of the Hebrews’
desire for a king (1 Samuel 8). This was not in God’s original plan; It was an
outright rejection of God’s sovereignty. However, as the novel developed, and
the people’s characters changed, God allowed for them to have a king.
The puppeteer God causes fatalism. “That’s life.” “It was or
wasn’t God’s will.” We get stuck in the blame game with no way for movement out.
On the other hand, the novelist God brings us hope. We can change, we are not
stuck.
The puppeteer God is the one that has the followers develop
creeds to believe in, doctrines to follow, and institutions to be preserved.
The novelist God is mysterious, beyond rational explanation and
characterization. This is the God that mystics through the ages and in all
religions traditions have experienced.
Of course, as mentioned above, there is biblical evidence
for both kinds of “Gods,” and the categories are probably not as neatly defined
as I make them. Nevertheless, the lists can give us some food for thought in
how we experience or view God.
During my crisis of faith, I became very cynical about the
church, God and religion in general. I was stuck on the institutional God of
creeds and “isms.” My faith was restored and my cynicism conquered by the
mysterious God, mainly through the spiritual disciplines. I learned to “know”
God rather than just to “believe” in God.